Affiliate stacks were built for e-commerce SKUs—not hard caps, sell-out windows, or tier psychology. Ticketing platforms bolt on referrals, but they aren't a creator marketplace with approvals and channel truth.
Hypelist sits at the intersection: event inventory + creator distribution + commercial-grade attribution.
Premium, Tixr-grade commerce UX—dark, confident, event-native.
One-off UTMs, opaque reconciliation, slow payouts. Culture makers need one place to browse events, ship campaigns fast, and see numbers that match the bank.
Outreach and contracts don't scale. Without caps and channel-level attribution, teams argue about what sold—and creators lose trust when money lags.
Events are where culture happens. We put creators first without letting promoters lose control of the floor.
One login, curated events, links & landing pages, predictable payouts.
Vetted reach, caps, tiers, sales tied to people and channels.
Recommendations that feel personal—not a corporate funnel.
Fair performance pay, transparent numbers, and tools that respect how culture is actually promoted.
Caps and tiers so sell-outs and allocations stay honest for promoters and fans.
Channel-level data finance and marketing can agree on—no mystery spreadsheet math.
Built with AU festivals, venues, and creators in the loop—not generic SaaS templates.
“We’re not adding another affiliate widget—we’re building the rails for how live events actually move tickets through real people.”
Company story · internal north star
People behind Hypelist—official names and bios ship with public launch. Below uses stock photography so the page doesn't look empty while comms are prepared.
Placeholder portraits · not implied endorsements
GTM, promoters, creator programs
Name · at launch
Platform, data, ticketing integrations
Name · at launch
Payouts, trust & safety, support
Name · at launch